The IRIS motion-control robot on ten metres of track, aimed at a Gulf-liveried Mercedes-AMG GT3 with the private collection of Gulf race cars ranked behind it
Gulf Heritage Fleet · Motion Control

125 YEARS IN MOTION

A private collection of Gulf-liveried icons, and three days to film twelve of them. So we brought the robot to the cars.

To mark 125 years, Gulf didn't want a montage. They wanted the cars filmed like the icons they are.

Gulf's history lives in a private collection of race cars: Porsche 917s, a McLaren F1 GTR, Aston Martins, a Ford GT40. Every one wears the blue and orange the world knows on sight. For the brand's 125th anniversary, we were brought in to turn that collection into a hero film.

We took our motion-control rig on location and spent three days among the cars. Twelve of them went on the track, each given a precise, repeatable camera move designed around its lines: passes, orbits and reveals no operator could hold by hand. We shot it, lit it and cut it in-house.

The finished edit anchored Gulf's 125th celebration, then travelled: recut for a run of social pieces, and playing across Gulf's retail estate.

Client
Gulf
Agency
SAMY
IRIS
Production · film · edit · motion control
Sector
Automotive / Heritage
The rig
7-axis robot · 10m track · battery
Shoot
3 days · 12 cars on location

125 Years of Gulf · the anniversary film · shot on the rig

The shoot, in numbers
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Years of Gulf

the milestone the film was made to mark.

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Cars Filmed

the private collection, front to back, all in full Gulf livery.

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Days on Location

the rig lived among the cars, battery-powered, no studio.

On location

The studio came to them

You don't move a collection like this. The cars are irreplaceable, the livery is the whole point, and the room they live in is part of the story. So we brought the rig to them: ten metres of track laid through the collection, our own camera and lighting, the whole thing running on its own battery so there was never a mains cable snaking between priceless cars.

Up and moving in about an hour, then filming for three days straight.

The IRIS robot arm and camera on its track, running alongside a Gulf-liveried Aston Martin Racing GTE under the collection's skylights
The moves

The move you can't get by hand

The robot repeats the same move to within 0.04mm, every take. That buys shots no operator can hold: a slow travel down the length of a car, an orbit that lands on the badge, a rise from a single wheel to the whole silhouette, all matched, ramped and repeated until it's exactly right.

Twelve cars, each with its own designed move. Frame it once, and it's yours to keep.

The IRIS robot arm reaching in over the open dihedral door of a Gulf-liveried McLaren F1 GTR, camera positioned across the cockpit
Behind the scenes
The IRIS robot on its track alongside a Gulf-liveried Aston Martin Racing GTE
Wide view of the IRIS shoot: crew at the monitor cart, the robot on track, and the Gulf collection ranked behind
Low-angle detail of the Gulf Aston Martin GTE wheel with the robot and camera tracking alongside
The IRIS robot arm reaching in over the open door of a Gulf-liveried McLaren F1 GTR
The portable battery system powering the rig on location, the Gulf McLaren F1 GTR behind
The robot on ten metres of track aimed at a Gulf-liveried AMG GT3, the collection ranked behind

On set across the three days · tap a frame to enlarge

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