A seven-axis robot that repeats a camera move to within 0.04mm. It runs on its own battery, so it works on location, not just in a studio. Our team runs it, on your shoot or on ours.
Gulf · heritage cars · shot on the rig
How high it gets, how low it drops, how far out it holds sixteen kilos, how small it packs down to travel.
Link arm up, arm level. Where it parks between setups.
You design the move once, and the rig owns the rest: fast enough to stay with the action at 4.5 metres a second, repeatable to 0.04mm so every pass lines up take after take, and stopped dead by a hardware e-stop the instant you need it, safe right next to your cast. That part is ours to worry about. Here's yours:
10m Track
Travels the whole shotTen metres of track carry the move the whole length of the subject: one unbroken travel down the side of a car or across a set. Laid in 2.5m sections, so you build only the track the shot needs.
A 6 × 4 metre infinity cove sits under a ceiling lighting rig, wired straight to an edit suite next door. You can shoot, review and cut in one place, on the same day. There's a client room to watch it happen, a stocked kit room, parking and drive-up access.
It's built for tabletop and single-person work. Anything bigger, like a car or a full set, and the rig travels to you instead.